Wednesday, July 22, 2009

have you ever seen an asshole cry tears of joy?

Record's almost finished! I think we've got 11 songs now if I'm not mistaken. Re-recording some parts that sounded awful after the haze wore off, changing lyrics, etc. Then we're on to mixing on 1/4" reel to reel, and then analog mastering. And of course after all that, living in abject poverty while trying to pay all this stuff off! YAY!!

Nah seriously it's gonna be a one time pressing of 300 LP's, we're thinking at this point, and we'll let you guys know when we're finished and you can get one.

Wednesday, June 10, 2009

So I've had a 4 track cassette recorder ever since I was 14. My first one (still have it) was a cheap 2 input strip Tascam, and it kickstarted my interest in recording. A lot of my friends still have theirs and use it regularly. It's kind of a shame you can't find them new anymore, because with the recent resurgence in underground tape culture, it seems to me that 4 track recording could make a comeback.

As a teenager in the mid-90's, some of my favorite records were made on 4 track or other similar home recording setups. Guided By Voices' "Bee Thousand" and "Alien Lanes," The Grifters' "Eureka" EP and "Crappin' You Negative," Beck's "One Foot In the Grave," and Olivia Tremor Control's "Dusk At Cubist Castle" were favorites of mine back then. It's become a thing for me - I often seek out records by artists that record themselves, because it's the most direct route from the artist to the listener. I also love music that's created by working with limitations. It forces you to be more creative and solve problems.

So Joseph and I have been using a Tascam 424 MK3, the one pictured above. The things that I love about it are the 3 band equalizer, the XLR mic inputs, and the tape speed control. When I was doing High on Life, as you might guess, the tape speed was how I got the effect on my voice. And I've also found that the faster you run these things, the less noise shows up on your recordings. I'm pretty impressed with the fidelity we've gotten out of it for the Black Patch recordings. It's pushed me to be much more deliberate about mic placement and levels than I ever have before.

I'm very particular about the way we record. We NEVER bounce down, even with two guitars on a song, because I'm trying to prevent loss of fidelity. So basically, most of the songs have been recorded with the bass and vocals on one track. It took some tinkering, but we've got it down to a routine now. It's a counterintuitive way to do it, but I think the results have ended up fine.

Here's a few links to some of our friends' bands who still utilize the cassette 4 track on some of their stuff. Enjoy!


Styches -

The Healthy Home -

Golden Hours -

Bonus Beast -

Ark -

Zack Kouns -

Dave Cloud -

Wednesday, June 3, 2009

i'm bad with titles

Hey guys, this is the new Black Patch band blog. We're in the beginning stages of doing this, but we plan to have local music commentary, songs that we've been working on, history lessons of questionable veracity, and much more. Stay tuned, and here's a little bit of background about the band...

Black Patch started in Nashville, September of 2008, as a home recording project between Joseph Garcia and John Adams. We've been playing music together in various projects over the years, namely Bad Friend, the occasional Nat Love's Joy Juice show, and Miss Ms. Ruby. What originally started out as a few songs has now blossomed into a record that will be pressed and released by ourselves, hopefully within the next few months. We write, record, and play everything between the two of us.

We'll have some songs up soon for you to check out, but in the meantime, here's the youtube profile that Joseph has been posting Bad Friend videos on, as well as some other friends' stuff. I would avoid the Van Halen cover, but that's just me. Enjoy!